HIGH-RISE (2015)
Life for the residents of a tower block begins to run out of control in Ben Wheatley's adaptation of J.G Ballard's novel...
MAGGIE’S PLAN (2015)
It’s been more than a decade since Rebecca Miller’s harrowing directorial debut, Angela (2015), and although her subsequent films (Personal Velocity, The Ballad of...
THE ONES BELOW (2015)
To say The Ones Below is inspired by the films of Roman Polanski would be a gross understatement. Motherhood-inflected horror, the conflict between pairs of...
QUEEN OF EARTH (2015)
Continuing on a path started during filming breaks on TV’s Mad Men, Elisabeth Moss is building an impressive resume of roles in US indies...
A BIGGER SPLASH (2015)
Following on from his Oscar-nominated film I Am Love, Italian director Luca Guadagino explores desire in the sun-drenched A Bigger Splash. A remake of...
REMAINDER (2015)
There’s an immediate urge to dive back into the world of Remainder once the screen fades to black. Based on Tom McCarthy’s underdog-debut-novel-turned-literary-phenomenon, this...
GREEN ROOM (2015)
Green Room doesn’t mess around. Clocking in at a lean 94-minutes, this riveting and claustrophobic thriller doesn’t waste time and shows that writer-director Jeremy...
TANGERINE (2015)
The greatest accomplishment of a film like Tangerine is making the audience empathise with the characters on screen, despite telling a story set in...
THE CLUB / EL CLUB (2015)
Recently crowned Best Picture at the Oscars, Spotlight detailed the uncovering of the shocking child sex scandal associated with the Catholic Church. While that...
THE WITCH (2015)
I wasn’t surprised to learn that The Witch’s writer-director, Robert Eggers, is from New England (his hometown is Lee, New Hampshire, about an hour from...
SUFFRAGETTE (2015)
Wonder Woman is a child of the suffragette movement. The symbols we associate with her strength and power belonged to the American feminists who...
SLEEPING WITH OTHER PEOPLE (2015)
Sleeping with Other People was self-deprecatingly pitched by its own writer-director as “When Harry Met Sally for assholes” when it debuted at Sundance. Yet...