
WESTWORLD, 2.4 – ‘The Riddle of the Sphinx’
[usr 4.0] While enjoyable, this season of Westworld’s lacked the compelling mystery and pleasurable sense of discovery the first year’s episodes delivered in spades....

[usr 4.0] While enjoyable, this season of Westworld’s lacked the compelling mystery and pleasurable sense of discovery the first year’s episodes delivered in spades....

[usr 3.5] The second season of Westworld continues with “Reunion”, an instalment that predictably finds many characters being reacquainted, while broadening the scope of...

[usr 3.5] Television adaptations will often take a different approach to the movies or books they’re based on. Michael Crichton’s Westworld (1973) completed its...

[usr 4.0] I’m pleased Jonathan Nolan and Lisa Joy had a few surprises up their sleeves, because “The Bicameral Mind” took a long time...

[usr 4.0] Entering the second half of this first season, and “The Adversary” was an instalment that moved things forward in surprising ways. In...

[usr 4.0] It’s always worth reflecting on the big picture when we’re halfway through a season, as this usually represents the ‘point of no...

[usr 4.0] I’ve been impressed with how quickly Westworld is rattling along, as part of me suspected it would spin its wheels—as so many...

[usr 4.0] Backstories are at the heart of Westworld’s third episode, “The Stray”, in the invention of a new narrative for Teddy (James Marsden),...

[usr 4.5] Most doubts I had about Westworld last week (of which there were few) were washed away by its second episode, “Chestnut”; a...

[usr 4.0] Updating Westworld (the 1973 movie Michael Crichton wrote and directed) is a great idea because enough time’s passed for a different approach...