TWIN PEAKS: THE RETURN – ‘Part 17 & 18’
bySo, David Lynch thought it would be ironically perverse to end Twin Peaks: The Return with just as traumatic a cliffhanger that concluded the…
NAOMI WATTS
TWIN PEAKS: THE RETURN – ‘Part 16’
byI confess I had to eat humble pie — probably a cherry pie would be most appropriate — after watching Twin Peaks: The Return “Part 16” this week….
TWIN PEAKS: THE RETURN – ‘Part 13’
byThe big question, having watched Twin Peaks: The Return “Part 13”, is what the heck is going on with Audrey? We’ll get to that…
TWIN PEAKS: THE RETURN – ‘Part 10’
byTwin Peaks: The Return, like its predecessor, doesn’t flinch from depicting violence towards women. This variation of ‘the evil that men do’ has been…
GYPSY – Season One
byNetflix original content has gone a little crazy just lately. What started with House of Cards snowballed with Orange is the New Black and…
TWIN PEAKS: THE RETURN – ‘Part 9’
byAfter plunging us into the dark origins of Twin Peaks: The Return in “Part 8” (perhaps the most Lynchian expression yet given free reign…
TWIN PEAKS: THE RETURN – ‘Part 7’
byWell, “Part 7” of Twin Peaks: The Return was precisely what most of us were waiting for. Like Jerry Horne (David Patrick Kelly), high…
TWIN PEAKS: THE RETURN – ‘Part 5 & 6’
byWith “Part 5” of Twin Peaks: The Return we learn more about the web of terror created by the now incarcerated Mr. C, the…
TWIN PEAKS: THE RETURN – ‘Part 4’
byAfter the surreal absurdities of “Part 3”, “Part 4” of Twin Peaks: The Return is much more accessible. It’s not without its bizarre set-pieces,…
TWIN PEAKS: THE RETURN – ‘Part 3’
byHaving truly confounded his audience, many of whom were aching to see the quirky, cutesy, soap opera pastiche version of Twin Peaks they loved…
MULHOLLAND DRIVE (2001)
byAfter a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a Hollywood-hopeful search for answers across L.A in a twisting venture beyond dreams and reality.
THE DIVERGENT SERIES: ALLEGIANT (2016)
byIdentity and the search for self play an integral role in the structure of good YA fiction. It’s therefore as ironic as it is…