ME AND EARL AND THE DYING GIRL (2015)
[usr 3.5] Like The Fault in our Stars before it, Me and Earl and the Dying Girl grounds the upsetting story of a teenager...
PIXELS (2015)
[usr 1.0] Laziness is how we get films like Pixels. The desperately sad lack of commitment on display here is astounding, as Adam Sandler...
VIDEODROME (1983)
[usr 4.0] David Cronenberg’s seminal 1983 body horror Videodrome begins with a shot of a TV screen and ends with its main character re-enacting...
FANTASTIC FOUR (2015)
[usr 2.5] There’s no way to argue otherwise; the main reason a Fantastic Four reboot’s been made is so the rights can stay with 20th Century Fox....
IT FOLLOWS (2014)
[usr 4.5] It Follows opens with a shot of a quiet, average suburban street, with the seeming calm of the camera’s slow pan across the...
MISSION: IMPOSSIBLE – ROGUE NATION (2015)
[usr 2.0] There’s never enough at stake in Mission Impossible: Rogue Nation. It whizzes along at a quip-a-minute, with stunning stunts from handsome Tom...
SOUTHPAW (2015)
[usr 2.0] There’s a theory espoused by former Grantland editor Bill Simmons that sometimes people are just ready for certain movies; that the success...
WATERWORLD (1995)
Waterworld still evokes feelings of cinematic misfortune, two decades after the post-apocalyptic action film’s summer release, but time’s been kind to this 1995 ‘flopbuster’. Indeed, despite...
INSIDE OUT (2015)
[usr 5] It’s hard to imagine there’ll be a film this year as inventive and audacious as Pixar’s newest offering Inside Out. That might...
CLUELESS (1995)
[usr 4.0] If you were a teenager in the 1990s, there’s a big possibility you still use lines from Clueless in your everyday life....
ANT-MAN (2015)
[usr 4.0] Ant-Man, the newest film in Marvel’s Cinematic Universe (MCU) is a little rougher around the edges than some of the studio’s recent...
Trailer: SUICIDE SQUAD
What’s it about? A key cog in DC Comics’ shared cinematic universe ambitions (which began with Man of Steel), Suicide Squad will directly follow Batman...