THE GOOD, THE BAD AND THE UGLY (1966)
A bounty-hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.
BILLY LIAR (1963)
A young man in 1960s England tries to escape his drab reality by fantasising about fame and fortune.
‘Into the Forest’: Folktales at DEFA (1955-1977)
These visually arresting and luridly colourful pictures drew on the works of authors such as Wilhelm Hauff, Hans Christian Andersen, and the Brothers Grimm.
POINT BLANK (1967)
After being double-crossed and left for dead, a mysterious man single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.
DANGER: DIABOLIK (1968)
A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.
CRUEL TALE OF BUSHIDO (1963)
After a salary-man's fiancée attempts suicide, he remembers his gruesome family history, which sees his ancestors sacrificing themselves for the sake of their cruel lords, and realises that he's about to repeat their mistakes.
‘Zen and Sword’—The Miyamoto Musashi Saga at Toei (1961-65)
In the early-1960s, Toei launched a film series focused on a legendary samurai – a five-part saga adapted from the works of Eiji Yoshikawa.
LIBIDO (1965)
A young man visits his ancestral home accompanied by his guardian and their wives, where he is plagued by the memories and influence of his murderous, psychosexual father.
BLOOD OF REVENGE (1965)
Osaka, 1907. The upstart Hoshino gang tries to assassinate the boss of the Kiyatatsu syndicate, who are in charge of the construction business.
OUR MAN FLINT (1966)
When scientists use eco-terrorism to impose their will on the world by affecting extremes in the weather, Intelligence Chief Cramden calls in top agent Derek Flint.
Fantômas Returns! The Fantômas Trilogy (1964-67)
André Hunebelle’s beloved Fantômas trilogy, which revived the master of disguise character with a comedic twist...