I HATE SUZIE – Series One
A former teenage pop star and actress is forced to deal with a leak of compromising photos of her onto the internet.
CHARLIE’S ANGELS (2000)
Three female detectives with a mysterious boss retrieve stolen voice-ID software, using martial arts, tech skills, and sex appeal.
SUPERNOVA (2020)
An ageing gay couple travel across England in their old RV to visit places and people from their past, after one of them was diagnosed with dementia.
Small Axe: MANGROVE (2020)
Mangrove tells this true story of The Mangrove Nine, who clashed with London police in 1970. The trial that followed was the first judicial acknowledgment of behavior motivated by racial hatred within the Metropolitan Police.
ALMOST FAMOUS (2000)
A high-school boy is given the chance to write a story for Rolling Stone Magazine about an up-and-coming rock band as he accompanies them on their concert tour.
THE HIGH NOTE (2020)
A superstar singer and her overworked personal assistant are presented with a choice that could alter the course of their respective careers.
THE KING OF STATEN ISLAND (2020)
Scott has been a case of arrested development since his firefighter dad died. He spends his days smoking weed and dreaming of being a tattoo artist until events force him to grapple with his grief and take his first steps forward in life.
YOU DON’T NOMI (2019)
Paul Verhoeven’s Showgirls (1995) was met with near universal derision. You Don’t Nomi traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
VIVARIUM (2019)
A young couple looking for the perfect home find themselves trapped in a mysterious labyrinthine neighbourhood of identical houses.
MISBEHAVIOUR (2020)
A group of women hatch a plan to disrupt the 1970 Miss World beauty competition in London.
10 Highlights of the 2020 Sundance Film Festival
Park City’s independent film festival has always been politically charged, but this year it was especially so. Star vehicles from the likes of Anne Hathaway…
JUDY (2019)
Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.